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近战
杜夫·龙格尔,吉娜·梅,迈克尔·帕尔,巴沙尔·拉海尔,詹姆斯·查尔克身陷囹圄的特种兵麦克（杜夫·龙格尔 Dolph Lundgren 饰）终于迎来了被保释的那一天，然而，令麦克没有想到的是，保释他的不是别人，居然是美国大使馆的官员克莱夫（迈克尔·帕尔 Michael Paré 饰）。原来，有一项充满了危险和变数的任务摆在眼前，而身经百战经验丰富的麦克则是这项任务最合适的执行者。 根据提示，麦克需要去营救一位名叫安娜（吉娜·玛丽 Gina Marie 饰）的女子，安娜遭到了武装绑架，有可能被敌方洗了脑。而当麦克找到安娜时，安娜却告诉麦克她被绑架一说是子虚乌有，而麦克要将她带走的行为才是真正的绑架。安娜和克莱夫之间，一定有一个人在说谎，没过多久，陷入了困惑之中麦克就发现，他和安娜已经成为了众矢之的。
荒岛大逃亡
刘乐妍,张文骏,颜瑜又,杨寒4个单身青年被邀请到孤岛之上开始毕业旅行，上岛之后却不料被当做“猎狼”俱乐部成员的“猎捕”对象，一次惊险的逃亡与反抗之旅在猎物与猎人之间悄然展开。
疯狂动物城2
金妮弗·古德温,杰森·贝特曼,关继威,福琼·费姆斯特,安迪·萨姆伯格,大卫·斯特雷泽恩,伊德瑞斯·艾尔巴,夏奇拉,帕特里克·沃伯顿,昆塔·布伦森,内特·托伦斯,邦妮·亨特,唐·雷克,麦考利·卡尔金,布兰达·宋,莫里斯·拉马奇,莉亚·莱瑟姆,雷蒙德·S·佩尔西,珍妮·斯蕾特,丹尼·特雷霍,马克·史密斯,汤米·利斯特,让·雷诺,塞西莉·斯特朗,朱恩·斯奎布,米歇尔·戈麦兹,戴维·法恩,约翰·雷吉扎莫,汤米·钟,艾伦·图代克,迈克尔·J·福克斯,乔希·达拉斯,彼得·曼斯布里奇,伊薇特·尼科尔·布朗,艾德·希兰,一个神秘爬行动物的到来，把温馨的动物城搅动得天翻地覆。面对全新的城市危机，警官兔朱迪（金妮弗·古德温 Ginnifer Goodwin 配音）与狐尼克（杰森·贝特曼 Jason Bateman 配音）将继续携手为保卫动物城而奔波。在追捕行动中，这对老搭档不仅要揭开新角色的神秘面纱，还要前往被迷雾笼罩的新领域，探索未知的地下黑市，一场疯狂动物城的全新冒险即将展开……
摩斯拉
堺正俊,香川京子,Furankî Sakai,小泉博Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
黑暗之下
丹尼斯·奎德,托尼·奥勒,艾米·缇加登,斯蒂芬·朗斯福德After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外出时刻
罗兰·拉斐特,埃马纽埃尔·贝克特,帕斯卡尔·格雷戈里,格雷戈里·蒙泰尔,安娜·卢瓦雷,Cyrille Hertel,卢安娜·巴杰拉米,Victor Bonnel,格林奇,托马斯·西梅卡,盖伊·托马斯,Véronique Ruggia罗兰·拉菲特([她])、艾玛纽尔·贝克特([我的国王])主演新片[外出时刻]( L’heure de la sortie，暂译)进入拍摄后期。本片由塞巴斯蒂安·马赫尼耶自编自导。故事讲述皮埃尔因一位年轻老师自杀，作为填补进入圣·约瑟夫学院工作。他很快发现这里青少年散发着一种敌意。本片预计8月2日杀青。