变形记
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanWhen Europe skips class to climb aboard an eight-wheel truck with a magnetic young man named Jupiter, little does she know of the journey of initiation that lies ahead of her.
即刻观影
剧情赏析
编辑推荐
神探巴克希
苏尚特·辛格·拉吉普特,菊池隆则,阿南德·蒂瓦里,Swastika Mukherjee本片讲述大学刚毕业的神探巴克希，对抗一个想要破坏地球的邪恶天才的故事。主宾国影片《神探巴克希》由印度著名商业电影导演迪巴卡尔·班纳吉指导，融合悬疑、侦探、40年代等元素，塑造了一个印度“夏洛克·福尔摩斯”形象，有着强烈的人格魅力。影片有很强的故事性，动作场面极具想象力，从演员服装、外景设计、汽车道具都做到了一丝不苟。有张力的悬疑剧情能让观众们在2小时的观影时间内目不转睛。
行动倒数
凯尔西·周,芬·维特洛克,丹尼尔·弗朗西斯,迪伦·比姆,Skye Little Wing Dimov Saw一位陷入哀痛的女子，前往偏远的森林深处，希望在那找到慰藉。却遇到了一位陌生人向她注射了一种麻痹剂。随着麻痹剂逐渐侵蚀她的身体，她必须在全身神经系统完全瘫痪前逃跑、躲藏并为生存而战。
钢琴之子
米奇·艾斯巴尔贝,安娜·卡斯蒂罗,娜乌西卡·邦宁Wolfgang, a ten-year-old boy with an IQ of 152 and autism spectrum disorder, is forced to live with his father Carles, whom he has never seen, after the sudden death of his mother.
温德尔和怀尔德
科甘-迈克尔·凯,乔丹·皮尔,利丽克·罗斯,安吉拉·贝塞特,吴汉章,文·瑞姆斯,雷蒙娜·杨,娜塔丽·马丁内斯,坦图·卡丁诺,艾格尔·纳尔,加布里埃尔·丹尼斯,大卫·哈雷伍德,玛克辛·皮克,Sam Zelaya,Seema Virdi,Michele Mariana,Gary Gatewood,Tamara Smart创意鬼才亨利·塞利克和制片人乔丹·皮尔这次带来动画《恶魔兄弟》，讲述了狡猾的恶魔兄弟温德尔（科甘-迈克尔·凯配音）和瓦尔德（皮尔配音）向凯特·艾略特（一名被负罪感支配的坚强少女）求助，希望她能将他们召唤至人间。但与之相对的，凯特也提出要求，进而引发了一场奇异无比、笑料百出的独特冒险。影片全篇采用定格动画的手工艺术进行制作，是一部无视生死法则的动画狂想曲。
幸福2024
洼冢爱流,莳田彩珠影片改编自《下妻物语》等经典作品的原作---嶽本稔明的同名小说。故事讲述了得知女友一周后就要死亡的“我”和“她”的青春物语。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.