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万物生灵：2025圣诞特别集
尼古拉斯·瑞夫,蕾切尔·申顿,萨缪尔·韦斯特,安娜·梅德利,卡勒姆·伍德豪斯,派翠西亚·霍吉,盖亚·怀斯十三
杰森·斯坦森,米基·洛克,雷·温斯顿,萨姆·赖利,50分,爱丽丝·巴雷特,盖比·霍夫曼,斯蒂芬·比奇,埃曼纽尔·施莱琪,小迈克尔·贝瑞,斯塔拉·本福德,黛西·塔汉,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大卫·札亚斯,查克·齐托,安东尼·奇泽姆,阿伦·戴维森,斯蒂芬·格维顿,道格·托雷斯,亚历山大·斯卡斯加德,约瑟夫·德博纳,本·戈扎那,罗纳德·格特曼,约翰·贝德福德·劳埃德,帖木儿·巴布鲁阿尼,拉尔斯·格哈德,迈克尔·珊农,唐·弗莱,克里斯·麦金尼,弗兰克·赛格,约翰·菲奥里,韦恩·杜瓦致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo飞虎神爪
程琢,孙文雪,刘泽宇,任宇,刘宇征服者2025
阿克夏耶·坎纳,马达范,兰维尔·辛格,桑杰·达特,阿俊·拉姆鲍,阿哈娜·卡姆拉,莎拉·阿尔琼,拉詹德拉纳斯·祖特施超级士兵
约翰·亚伯拉罕,杰奎琳·费南德斯,拉库尔·普雷特·辛格同类精选
影视排行
冰雪之行
马特·波莫,乔什·维金斯,比尔·普尔曼,亚历克斯·诺伊施泰特,莉莉·格莱斯顿,肯·怀特,斯科特·麦克米利恩父亲与少年关系生疏，两人决定以一次狩猎之行缓释心结，然而深藏在森林中的灰熊，却早已为他们埋下了生存危机。
超声
文森特·卡塞瑟,切尔西·洛佩兹,布瑞达·伍尔,滕德·艾德比佩,蕾妮·库利,鲍勃·斯蒂芬森,达娜·林恩·拜伦,Jim Boeven,Chris Dougherty,波特·琳·杨,Tony Evangelista,达维达·威廉姆斯,马克·伯恩汉姆,Cheryl Dent,Gabe FonsecaDriving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
公寓管理员
帕特里克·约翰·弗吕格,方·基默,路易莎·克劳瑟,保罗·本-维克托,尤尔·瓦斯克斯,梅丽莎·博洛纳,金·迪莱克特,阿曼达·沃伦,斯坦·德米多夫,卢克·爱德华兹,艾丽克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奥基里特·奥诺多瓦Saban Films拿下方·基默、帕特里克·约翰·弗鲁格(《芝加哥警署》)主演影片[公寓管理员](The Super，暂译)北美发行权。导演施特凡·里克([月之阴面])，编剧约翰·J·麦克劳克林([黑天鹅])，故事围绕一位公寓管理员调查纽约一栋豪华公寓住客失踪案展开。迪克·沃尔夫(《法律与秩序》)担任制片。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.