纯情家教俏人妻
鍾民是名課外輔導老師，但他的學生似乎對學習完全提不起勁，正當他煩惱著該如何讓學生對學習重燃熱情的同時，學生的母親東熙引起了他的注意，並不時將視線放在她身上，這位年輕的媽媽似乎對其並不反感，還予以回應。兩人時常不經意地對到眼，這讓彼此火熱的慾意逐漸失控，終於在兩人獨處時，展開了新的課程…
在线看
同款热播
风林火山
金城武,刘青云,梁家辉,古天乐,高圆圆,杜德伟,鲍起静,林俊贤,卢冠廷,姜珮瑶,卫诗雅,甘国亮,卢海鹏,刘永,吴嘉龙,李元霸,任贤齐,夏韶声,王德顺,程东,狼森,尼克·福特港岛雪夜，街头无差别扫射，血流成河；医院爆炸火光冲天，惨叫此起彼伏。 这不是末日，是毒品操控下的城市炼狱。 毒贩以毒品掌控城市命脉，杀手为争夺货源血洗街头，警方在阴谋中艰难前行——当三方势力陷入混战，最令人窒息的逆转突然降临：操纵一切的毒贩，竟开始全面禁毒？雪夜之下，谁是幕后推手？谁能从这场罪恶风暴中全身而退？
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃爱,木龙麻生,宫崎葵,吉冈秀隆,冈部敬史,中田青渚,田村健太郎,户塚纯贵,莲见翔,又吉直树,堀内敬子,佐藤绯美,白本彩奈改编自新海诚创作的同名动画电影，讲述了一段跨越时间与距离的青涩爱情与成长故事。
唱歌的六个女人
竹野内丰,山田孝之,水川麻美,アオイヤマダ,服部树咲,萩原实里,桃果,武田玲奈,津田宽治,白川和子,竹中直人萱岛(竹野内丰)收到父亲的讣告回到故乡，从萱岛的父亲那里继承土地的宇和岛(山田孝之)与他一起，在山路上开车行驶时遭遇了意外事故。两人醒来时，发现自己身处森林深处，被六个美丽的女人监禁着。
红杉林杀人魔
马可·伍德,Lisa Cameron,Lisa Livingstone五個熱衷冒險的朋友來到都市傳說中的謀殺案發地點，準備享受充滿刺激與驚悚的露營週末，但是他們很快就發現，徘徊於此的不是只有他們五人，一個神秘殺手悄悄接近，本該要縱慾狂歡的野外假期，瞬間變調成為致命夢魘......
要地球倒转
保罗·勒马特 Paul Le Mat,南茜·艾伦,戴安娜·斯卡尔维德,迈克尔·勒纳,路易丝·弗莱彻查理的前妻失踪了，于是他去了她长大的地方，一个位于西部的乡村城镇寻找她。 但是，令人惊讶的是，没有人知道她或她亲戚的所在。 然后他又遇到外星人，但是当他联系联邦调查局时，并没有人相信他。 他只好将故事登报，并随即受到了外星人的追杀。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster